-
Richard Strauss - Also sprach Zarathustra, Op. 30
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name.
The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book:
1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto.
2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis...
published: 13 Jun 2011
-
Richard Strauss: Metamorphosen for 23 strings
Norwegian Chamber Orchestra
Terje Tønnesen, artistic director
Stay connected with us!
► Subscribe to our Youtube channel: https://bit.ly/2r9tVde
►Listen to us on Spotify: https://spoti.fi/3byxQXx
► Follow us on Facebook: https://www.facebook.com/detnorskekammerorkester
► Follow us on Instagram: https://www.instagram.com/detnorskekammerorkester
► Follow us on Twitter: https://twitter.com/kammerorkester
published: 29 Feb 2016
-
Strauss: Also sprach Zarathustra / Dudamel · Berliner Philharmoniker
Full-length concert: http://www.digitalconcerthall.com/concert/2885/?a=youtube&c=true
Richard Strauss: Also sprach Zarathustra / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 28 April 2012.
The Berliner Philharmoniker's Digital Concert Hall:
http://www.digitalconcerthall.com
Subscribe to our newsletter:
http://www.digitalconcerthall.com/newsletter
Website of the Berliner Philharmoniker:
http://www.berliner-philharmoniker.de
published: 26 Oct 2012
-
Richard Strauss - Also Sprach Zarathustra, Complete Orchestral Works + P° (Ct. rec. : Rudolf Kempe)
Richard Strauss (1864-1949) Complete Orchestral Works / New Mastering & Presentation.
Also sprach Zarathustra / Symphonic poem op.30 (00:00)
*Click to activate the English subtitles for the presentation* (02:37-05:36)
Tod und Verklärung / Symphonic poem op.24 (33:11)
*Click to activate the English subtitles for the presentation* (33:11-35:24)
Der Rosenkavalier / Waltzes op.59 (55:44)
Till Eulenspiegels lustige Streiche / Symphonic poem op.28 (1:13:28)
*Click to activate the English subtitles for the presentation* (1:13:28-1:14:29)
Don Juan / Symphonic poem op.20 (1:28:16)
*Click to activate the English subtitles for the presentation* (1:28:16-1:29:34)
Ein Heldenleben / Symphonic poem op.40 (1:44:28)
*Click to activate the English subtitles for the presentation* (1:44:28-1:46:52)
Metamorpho...
published: 16 Jun 2020
-
Richard Strauss - Metamorphosen
Richard Strauss, Metamorphosen.
Antoni Wit, Conductor.
Staatskapelle Weimar.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
published: 25 May 2012
-
Richard Strauss : Tod und Verklärung (Mort et Transfiguration) (Mikko Franck / OpRF)
Mikko Franck dirige l'Orchestre philharmonique de Radio France dans le poème symphonique de Richard Strauss "Tod und Verklärung" (Mort et Transfiguration) composé en 1887-1888. Extrait du concert donné le 21 décembre 2018 à l'Auditorium de Radio France.
Tod und Verklärung (« Mort et Transfiguration ») fut composé au cours de la décennie qui vit la naissance des grands poèmes symphoniques inspirés à Richard Strauss par des arguments littéraires, poétiques et philosophiques d’origines variées, décennie inaugurée en 1889 par la fantaisie symphonique Aus Italien – hommage, d’une certaine manière, à Harold en Italie de Berlioz et à la Symphonie italienne de Mendelssohn. Ces poèmes symphoniques reprennent à leur compte quelques-unes des conceptions de Liszt, tout en transcendant le genre par u...
published: 27 Dec 2018
-
Strauss: Eine Alpensinfonie ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Richard Strauss:
Eine Alpensinfonie ∙
Nacht – Sonnenaufgang – Der Anstieg – Eintritt in den Wald – Wanderung neben dem Bache – Am Wasserfall – Erscheinung – Auf blumigen Wiesen – Auf der Alm – Durch Dickicht und Gestrüpp auf Irrwegen – Auf dem Gletscher – Gefahrvolle Augenblicke – Auf dem Gipfel – Vision – Nebel steigen auf – Die Sonne verdüstert sich allmählich – Elegie – Stille vor dem Sturm – Gewitter und Sturm, Abstieg – Sonnenuntergang – Ausklang – Nacht ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Alte Oper Frankfurt, 14. Oktober 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 24 Oct 2016
-
Strauss: Also sprach Zarathustra ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Richard Strauss:
Also sprach Zarathustra op. 30 ∙
Tondichtung (frei nach Friedrich Nietzsche)
für großes Orchester ∙
I. Einleitung, oder Sonnenaufgang. Sehr breit (00:00) ∙
II. Von den Hinterweltlern. Weniger breit (01:53) ∙
III. Von der großen Sehnsucht. Bewegter (05:45) ∙
IV. Von den Freuden und Leidenschaften. Bewegt (07:37) ∙
V. Das Grablied. Etwas ruhiger (09:37) ∙
VI. Von der Wissenschaft. Sehr langsam (12:07) ∙
VII. Der Genesende. Energisch (16:18) ∙
VIII. Das Tanzlied (21:34) ∙
IX. Das Nachtwandlerlied (29:26) ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 9. Dezember 2022 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediat...
published: 04 Feb 2023
-
Richard Strauss - Burleske in D minor for Piano and Orchestra
New videos and pieces everyday.
Like and subscribe to our channel: https://www.youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg
The Burleske in D minor is a composition for piano and orchestra written by Richard Strauss in 1885–86, when he was 21.
The work's original title was Scherzo in D minor, and it was written for Hans von Bülow, who had appointed Strauss assistant conductor of the Meiningen Court Orchestra. However, von Bülow considered it a "complicated piece of nonsense" and refused to learn it. He said the piano part was "Lisztian" and "unplayable", particularly for a pianist with a small handspan (Strauss says that von Bülow could barely reach an octave).
The piece starts with a theme introduced on timpani and answered by the orchestra. The piano then enters in a state of high excit...
published: 29 Feb 2024
-
Strauss: Rosenkavalier-Suite ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Richard Strauss:
Rosenkavalier-Suite ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 17. Januar 2020 ∙
Website: https://www.hr-sinfonieorchester.de ∙
Facebook: https://www.facebook.com/hrsinfonieorchester
published: 03 Feb 2020
30:36
Richard Strauss - Also sprach Zarathustra, Op. 30
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Fried...
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name.
The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book:
1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto.
2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis.
3. "Von der großen Sehnsucht" (Of the Great Longing): maybe it represents the age of "Sturm und Drang"; here there's a liturgical quotation from "Magnificat".
4. "Von den Freuden und Leidenschaften" (Of the Joys and Passions): the word to the strings, at the top tension; the trombones expose the theme of "Taedium Vitae".
5. "Das Grablied" (The Grave-Song): part where the strings prevail.
6. "Von der Wissenschaft" (Of Science): it is a fugue whose subject all only the twelve notes to represent scientism, positivism and maybe, to ridicule the rising dodecaphony.
7. "Der Genesende" (The Convalescent): it completes the tension of the previous movement, then, after a rough pause determined by a rip of the strings in the bass register, it starts again from the mystery to go to the atmosphere of the following movement.
8. "Das Tanzlied" (The Dance Song): the theme of "Taedium Vitae" is taken again trasfigured in a waltz.
9. "Nachtwandlerlied" (Song of the Night Wanderer): coda where the finale is suspended avoiding the cadence on the tonic.
Paintings by J.M.W. Turner and Caspar Friedrich.
Conductor: Georg Solti & Chicago Symphony Orchestra.
https://wn.com/Richard_Strauss_Also_Sprach_Zarathustra,_Op._30
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name.
The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book:
1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto.
2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis.
3. "Von der großen Sehnsucht" (Of the Great Longing): maybe it represents the age of "Sturm und Drang"; here there's a liturgical quotation from "Magnificat".
4. "Von den Freuden und Leidenschaften" (Of the Joys and Passions): the word to the strings, at the top tension; the trombones expose the theme of "Taedium Vitae".
5. "Das Grablied" (The Grave-Song): part where the strings prevail.
6. "Von der Wissenschaft" (Of Science): it is a fugue whose subject all only the twelve notes to represent scientism, positivism and maybe, to ridicule the rising dodecaphony.
7. "Der Genesende" (The Convalescent): it completes the tension of the previous movement, then, after a rough pause determined by a rip of the strings in the bass register, it starts again from the mystery to go to the atmosphere of the following movement.
8. "Das Tanzlied" (The Dance Song): the theme of "Taedium Vitae" is taken again trasfigured in a waltz.
9. "Nachtwandlerlied" (Song of the Night Wanderer): coda where the finale is suspended avoiding the cadence on the tonic.
Paintings by J.M.W. Turner and Caspar Friedrich.
Conductor: Georg Solti & Chicago Symphony Orchestra.
- published: 13 Jun 2011
- views: 4619734
26:45
Richard Strauss: Metamorphosen for 23 strings
Norwegian Chamber Orchestra
Terje Tønnesen, artistic director
Stay connected with us!
► Subscribe to our Youtube channel: https://bit.ly/2r9tVde
►Listen to u...
Norwegian Chamber Orchestra
Terje Tønnesen, artistic director
Stay connected with us!
► Subscribe to our Youtube channel: https://bit.ly/2r9tVde
►Listen to us on Spotify: https://spoti.fi/3byxQXx
► Follow us on Facebook: https://www.facebook.com/detnorskekammerorkester
► Follow us on Instagram: https://www.instagram.com/detnorskekammerorkester
► Follow us on Twitter: https://twitter.com/kammerorkester
https://wn.com/Richard_Strauss_Metamorphosen_For_23_Strings
Norwegian Chamber Orchestra
Terje Tønnesen, artistic director
Stay connected with us!
► Subscribe to our Youtube channel: https://bit.ly/2r9tVde
►Listen to us on Spotify: https://spoti.fi/3byxQXx
► Follow us on Facebook: https://www.facebook.com/detnorskekammerorkester
► Follow us on Instagram: https://www.instagram.com/detnorskekammerorkester
► Follow us on Twitter: https://twitter.com/kammerorkester
- published: 29 Feb 2016
- views: 175342
1:55
Strauss: Also sprach Zarathustra / Dudamel · Berliner Philharmoniker
Full-length concert: http://www.digitalconcerthall.com/concert/2885/?a=youtube&c=true
Richard Strauss: Also sprach Zarathustra / Gustavo Dudamel, conductor · Be...
Full-length concert: http://www.digitalconcerthall.com/concert/2885/?a=youtube&c=true
Richard Strauss: Also sprach Zarathustra / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 28 April 2012.
The Berliner Philharmoniker's Digital Concert Hall:
http://www.digitalconcerthall.com
Subscribe to our newsletter:
http://www.digitalconcerthall.com/newsletter
Website of the Berliner Philharmoniker:
http://www.berliner-philharmoniker.de
https://wn.com/Strauss_Also_Sprach_Zarathustra_Dudamel_·_Berliner_Philharmoniker
Full-length concert: http://www.digitalconcerthall.com/concert/2885/?a=youtube&c=true
Richard Strauss: Also sprach Zarathustra / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 28 April 2012.
The Berliner Philharmoniker's Digital Concert Hall:
http://www.digitalconcerthall.com
Subscribe to our newsletter:
http://www.digitalconcerthall.com/newsletter
Website of the Berliner Philharmoniker:
http://www.berliner-philharmoniker.de
- published: 26 Oct 2012
- views: 6099373
9:04:37
Richard Strauss - Also Sprach Zarathustra, Complete Orchestral Works + P° (Ct. rec. : Rudolf Kempe)
Richard Strauss (1864-1949) Complete Orchestral Works / New Mastering & Presentation.
Also sprach Zarathustra / Symphonic poem op.30 (00:00)
*Click to activate ...
Richard Strauss (1864-1949) Complete Orchestral Works / New Mastering & Presentation.
Also sprach Zarathustra / Symphonic poem op.30 (00:00)
*Click to activate the English subtitles for the presentation* (02:37-05:36)
Tod und Verklärung / Symphonic poem op.24 (33:11)
*Click to activate the English subtitles for the presentation* (33:11-35:24)
Der Rosenkavalier / Waltzes op.59 (55:44)
Till Eulenspiegels lustige Streiche / Symphonic poem op.28 (1:13:28)
*Click to activate the English subtitles for the presentation* (1:13:28-1:14:29)
Don Juan / Symphonic poem op.20 (1:28:16)
*Click to activate the English subtitles for the presentation* (1:28:16-1:29:34)
Ein Heldenleben / Symphonic poem op.40 (1:44:28)
*Click to activate the English subtitles for the presentation* (1:44:28-1:46:52)
Metamorphosen / Study for 23 solo strings (2:28:42)
*Click to activate the English subtitles for the presentation* (2:28:42-2:30:17)
Eine Alpensinfonie op.64 (2:54:00)
*Click to activate the English subtitles for the presentation* (2:54:00-2:55:45)
Sinfonia Domestica op.53 (3:43:44)
*Click to activate the English subtitles for the presentation* (3:43:44-3:46:12)
Salome / Dance of the Seven Veils op.54 (4:27:44)
Le Bourgeois gentilhomme / Suite op.60 (4:36:12)
Schlagobers / Waltz op.70 (5:09:52)
Josephslegende / Symphonic fragment op.63 (5:17:15)
Burleske / for piano & orchestra in D minor (5:42:47)
Piano : Malcolm Frager
Parergon zur Sinfonia Domestica / for piano (left hand) & orchestra op.73 (6:02:37)
Piano : Peter Rösel
Panathenäenzug op.74 (6:24:12)
Symphonic studies in the form of a passacaglia for piano (left hand) & orchestra
Piano : Peter Rösel
Aux Italien / Symphonic fantasy op.16 (6:51:56)
Macbeth op.23 / Symphonic poem (7:35:09)
Don Quixote op.35 (7:54:46)
*Click to activate the English subtitles for the presentation* (7:54:46-7:57:08)
Cello : Paul Tortelier / Viola : Max Rostal
Fantastic variations on a theme of knightly
Dance Suite from harpsichord pieces by François Couperin (8:35:50)
Staatskapelle Dresden
Rudolf Kempe
Recorded in 1970-76 at Dresden
New mastering in 2020 by AB for CMRR
Find CMRR's recordings on Spotify: https://spoti.fi/3016eVr
Just as Obelix fell into the pot of magic potion when he was a child, we have the impression that Rudolf Kempe fell into the pot of the works of Richard Strauss. There is a spontaneity in his direction, a naturalness, an incessant forward motion, a dynamic that we don't find in any other conductor. This consistency is all the more incredible because it is present in all his recordings. This sixth sense in his direction is tremendously relayed for the orchestra for which Strauss himself conducted his works: the Staatskapelle Dresden.
The orchestra has had eminent conductors throughout its history. Heinrich Schütz's name is associated with his early years, and those of Carl Maria von Weber and Richard Wagner in the nineteenth century. With these two personalities, Dresden and its Staatskapelle played a central role in the creation of German national opera at a time when the genre was dominated in Germany by Italian music. In the twentieth century, this tradition was partly continued by the collaboration between the orchestra and Richard Strauss, both as conductor and composer.
Richard Strauss - Horn Concertos, Oboe Concerto, Violin Concerto + Present° (Century’s recording : Rudolf Kempe) : https://www.youtube.com/watch?v=FB2VtWEIk5M&list=PL3UZpQL9LIxPmWq4lduYtb5hd2c4l-_mm
Richard Strauss PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxPmWq4lduYtb5hd2c4l-_mm
#spaceodyssey #stanleykubrick
https://wn.com/Richard_Strauss_Also_Sprach_Zarathustra,_Complete_Orchestral_Works_P°_(Ct._Rec._Rudolf_Kempe)
Richard Strauss (1864-1949) Complete Orchestral Works / New Mastering & Presentation.
Also sprach Zarathustra / Symphonic poem op.30 (00:00)
*Click to activate the English subtitles for the presentation* (02:37-05:36)
Tod und Verklärung / Symphonic poem op.24 (33:11)
*Click to activate the English subtitles for the presentation* (33:11-35:24)
Der Rosenkavalier / Waltzes op.59 (55:44)
Till Eulenspiegels lustige Streiche / Symphonic poem op.28 (1:13:28)
*Click to activate the English subtitles for the presentation* (1:13:28-1:14:29)
Don Juan / Symphonic poem op.20 (1:28:16)
*Click to activate the English subtitles for the presentation* (1:28:16-1:29:34)
Ein Heldenleben / Symphonic poem op.40 (1:44:28)
*Click to activate the English subtitles for the presentation* (1:44:28-1:46:52)
Metamorphosen / Study for 23 solo strings (2:28:42)
*Click to activate the English subtitles for the presentation* (2:28:42-2:30:17)
Eine Alpensinfonie op.64 (2:54:00)
*Click to activate the English subtitles for the presentation* (2:54:00-2:55:45)
Sinfonia Domestica op.53 (3:43:44)
*Click to activate the English subtitles for the presentation* (3:43:44-3:46:12)
Salome / Dance of the Seven Veils op.54 (4:27:44)
Le Bourgeois gentilhomme / Suite op.60 (4:36:12)
Schlagobers / Waltz op.70 (5:09:52)
Josephslegende / Symphonic fragment op.63 (5:17:15)
Burleske / for piano & orchestra in D minor (5:42:47)
Piano : Malcolm Frager
Parergon zur Sinfonia Domestica / for piano (left hand) & orchestra op.73 (6:02:37)
Piano : Peter Rösel
Panathenäenzug op.74 (6:24:12)
Symphonic studies in the form of a passacaglia for piano (left hand) & orchestra
Piano : Peter Rösel
Aux Italien / Symphonic fantasy op.16 (6:51:56)
Macbeth op.23 / Symphonic poem (7:35:09)
Don Quixote op.35 (7:54:46)
*Click to activate the English subtitles for the presentation* (7:54:46-7:57:08)
Cello : Paul Tortelier / Viola : Max Rostal
Fantastic variations on a theme of knightly
Dance Suite from harpsichord pieces by François Couperin (8:35:50)
Staatskapelle Dresden
Rudolf Kempe
Recorded in 1970-76 at Dresden
New mastering in 2020 by AB for CMRR
Find CMRR's recordings on Spotify: https://spoti.fi/3016eVr
Just as Obelix fell into the pot of magic potion when he was a child, we have the impression that Rudolf Kempe fell into the pot of the works of Richard Strauss. There is a spontaneity in his direction, a naturalness, an incessant forward motion, a dynamic that we don't find in any other conductor. This consistency is all the more incredible because it is present in all his recordings. This sixth sense in his direction is tremendously relayed for the orchestra for which Strauss himself conducted his works: the Staatskapelle Dresden.
The orchestra has had eminent conductors throughout its history. Heinrich Schütz's name is associated with his early years, and those of Carl Maria von Weber and Richard Wagner in the nineteenth century. With these two personalities, Dresden and its Staatskapelle played a central role in the creation of German national opera at a time when the genre was dominated in Germany by Italian music. In the twentieth century, this tradition was partly continued by the collaboration between the orchestra and Richard Strauss, both as conductor and composer.
Richard Strauss - Horn Concertos, Oboe Concerto, Violin Concerto + Present° (Century’s recording : Rudolf Kempe) : https://www.youtube.com/watch?v=FB2VtWEIk5M&list=PL3UZpQL9LIxPmWq4lduYtb5hd2c4l-_mm
Richard Strauss PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxPmWq4lduYtb5hd2c4l-_mm
#spaceodyssey #stanleykubrick
- published: 16 Jun 2020
- views: 121563
28:13
Richard Strauss - Metamorphosen
Richard Strauss, Metamorphosen.
Antoni Wit, Conductor.
Staatskapelle Weimar.
_____________________________________________________
The music published on my...
Richard Strauss, Metamorphosen.
Antoni Wit, Conductor.
Staatskapelle Weimar.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
https://wn.com/Richard_Strauss_Metamorphosen
Richard Strauss, Metamorphosen.
Antoni Wit, Conductor.
Staatskapelle Weimar.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 25 May 2012
- views: 691266
25:43
Richard Strauss : Tod und Verklärung (Mort et Transfiguration) (Mikko Franck / OpRF)
Mikko Franck dirige l'Orchestre philharmonique de Radio France dans le poème symphonique de Richard Strauss "Tod und Verklärung" (Mort et Transfiguration) compo...
Mikko Franck dirige l'Orchestre philharmonique de Radio France dans le poème symphonique de Richard Strauss "Tod und Verklärung" (Mort et Transfiguration) composé en 1887-1888. Extrait du concert donné le 21 décembre 2018 à l'Auditorium de Radio France.
Tod und Verklärung (« Mort et Transfiguration ») fut composé au cours de la décennie qui vit la naissance des grands poèmes symphoniques inspirés à Richard Strauss par des arguments littéraires, poétiques et philosophiques d’origines variées, décennie inaugurée en 1889 par la fantaisie symphonique Aus Italien – hommage, d’une certaine manière, à Harold en Italie de Berlioz et à la Symphonie italienne de Mendelssohn. Ces poèmes symphoniques reprennent à leur compte quelques-unes des conceptions de Liszt, tout en transcendant le genre par une verve mélodique et un renouvellement constant de la forme elle-même, qui ne caractérisent pas précisément les œuvres orchestrales du compositeur hongrois.
Richard Strauss raconte lui-même : « Mort et transfiguration est un pur produit de mon imagination, non pas celui d’une expérience vécue (je ne devais tomber malade que deux ans plus tard). Une idée musicale comme une autre, sans doute le simple besoin, après Macbeth (qui commence et se termine en ré mineur) et après Don Juan (qui commence en mi majeur et se termine en mi mineur), d’écrire un morceau qui commence en ut mineur pour s’achever en ut majeur ».
https://wn.com/Richard_Strauss_Tod_Und_Verklärung_(Mort_Et_Transfiguration)_(Mikko_Franck_Oprf)
Mikko Franck dirige l'Orchestre philharmonique de Radio France dans le poème symphonique de Richard Strauss "Tod und Verklärung" (Mort et Transfiguration) composé en 1887-1888. Extrait du concert donné le 21 décembre 2018 à l'Auditorium de Radio France.
Tod und Verklärung (« Mort et Transfiguration ») fut composé au cours de la décennie qui vit la naissance des grands poèmes symphoniques inspirés à Richard Strauss par des arguments littéraires, poétiques et philosophiques d’origines variées, décennie inaugurée en 1889 par la fantaisie symphonique Aus Italien – hommage, d’une certaine manière, à Harold en Italie de Berlioz et à la Symphonie italienne de Mendelssohn. Ces poèmes symphoniques reprennent à leur compte quelques-unes des conceptions de Liszt, tout en transcendant le genre par une verve mélodique et un renouvellement constant de la forme elle-même, qui ne caractérisent pas précisément les œuvres orchestrales du compositeur hongrois.
Richard Strauss raconte lui-même : « Mort et transfiguration est un pur produit de mon imagination, non pas celui d’une expérience vécue (je ne devais tomber malade que deux ans plus tard). Une idée musicale comme une autre, sans doute le simple besoin, après Macbeth (qui commence et se termine en ré mineur) et après Don Juan (qui commence en mi majeur et se termine en mi mineur), d’écrire un morceau qui commence en ut mineur pour s’achever en ut majeur ».
- published: 27 Dec 2018
- views: 124105
1:00:47
Strauss: Eine Alpensinfonie ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Richard Strauss:
Eine Alpensinfonie ∙
Nacht – Sonnenaufgang – Der Anstieg – Eintritt in den Wald – Wanderung neben dem Bache – Am Wasserfall – Erscheinung – ...
Richard Strauss:
Eine Alpensinfonie ∙
Nacht – Sonnenaufgang – Der Anstieg – Eintritt in den Wald – Wanderung neben dem Bache – Am Wasserfall – Erscheinung – Auf blumigen Wiesen – Auf der Alm – Durch Dickicht und Gestrüpp auf Irrwegen – Auf dem Gletscher – Gefahrvolle Augenblicke – Auf dem Gipfel – Vision – Nebel steigen auf – Die Sonne verdüstert sich allmählich – Elegie – Stille vor dem Sturm – Gewitter und Sturm, Abstieg – Sonnenuntergang – Ausklang – Nacht ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Alte Oper Frankfurt, 14. Oktober 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Strauss_Eine_Alpensinfonie_∙_Hr_Sinfonieorchester_∙_Andrés_Orozco_Estrada
Richard Strauss:
Eine Alpensinfonie ∙
Nacht – Sonnenaufgang – Der Anstieg – Eintritt in den Wald – Wanderung neben dem Bache – Am Wasserfall – Erscheinung – Auf blumigen Wiesen – Auf der Alm – Durch Dickicht und Gestrüpp auf Irrwegen – Auf dem Gletscher – Gefahrvolle Augenblicke – Auf dem Gipfel – Vision – Nebel steigen auf – Die Sonne verdüstert sich allmählich – Elegie – Stille vor dem Sturm – Gewitter und Sturm, Abstieg – Sonnenuntergang – Ausklang – Nacht ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Alte Oper Frankfurt, 14. Oktober 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 24 Oct 2016
- views: 698513
34:22
Strauss: Also sprach Zarathustra ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Richard Strauss:
Also sprach Zarathustra op. 30 ∙
Tondichtung (frei nach Friedrich Nietzsche)
für großes Orchester ∙
I. Einleitung, oder Sonnenaufgang. Sehr...
Richard Strauss:
Also sprach Zarathustra op. 30 ∙
Tondichtung (frei nach Friedrich Nietzsche)
für großes Orchester ∙
I. Einleitung, oder Sonnenaufgang. Sehr breit (00:00) ∙
II. Von den Hinterweltlern. Weniger breit (01:53) ∙
III. Von der großen Sehnsucht. Bewegter (05:45) ∙
IV. Von den Freuden und Leidenschaften. Bewegt (07:37) ∙
V. Das Grablied. Etwas ruhiger (09:37) ∙
VI. Von der Wissenschaft. Sehr langsam (12:07) ∙
VII. Der Genesende. Energisch (16:18) ∙
VIII. Das Tanzlied (21:34) ∙
IX. Das Nachtwandlerlied (29:26) ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 9. Dezember 2022 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2022
Hessischer Rundfunk (hr)
https://wn.com/Strauss_Also_Sprach_Zarathustra_∙_Hr_Sinfonieorchester_∙_Andrés_Orozco_Estrada
Richard Strauss:
Also sprach Zarathustra op. 30 ∙
Tondichtung (frei nach Friedrich Nietzsche)
für großes Orchester ∙
I. Einleitung, oder Sonnenaufgang. Sehr breit (00:00) ∙
II. Von den Hinterweltlern. Weniger breit (01:53) ∙
III. Von der großen Sehnsucht. Bewegter (05:45) ∙
IV. Von den Freuden und Leidenschaften. Bewegt (07:37) ∙
V. Das Grablied. Etwas ruhiger (09:37) ∙
VI. Von der Wissenschaft. Sehr langsam (12:07) ∙
VII. Der Genesende. Energisch (16:18) ∙
VIII. Das Tanzlied (21:34) ∙
IX. Das Nachtwandlerlied (29:26) ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 9. Dezember 2022 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2022
Hessischer Rundfunk (hr)
- published: 04 Feb 2023
- views: 211315
22:26
Richard Strauss - Burleske in D minor for Piano and Orchestra
New videos and pieces everyday.
Like and subscribe to our channel: https://www.youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg
The Burleske in D minor is a compos...
New videos and pieces everyday.
Like and subscribe to our channel: https://www.youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg
The Burleske in D minor is a composition for piano and orchestra written by Richard Strauss in 1885–86, when he was 21.
The work's original title was Scherzo in D minor, and it was written for Hans von Bülow, who had appointed Strauss assistant conductor of the Meiningen Court Orchestra. However, von Bülow considered it a "complicated piece of nonsense" and refused to learn it. He said the piano part was "Lisztian" and "unplayable", particularly for a pianist with a small handspan (Strauss says that von Bülow could barely reach an octave).
The piece starts with a theme introduced on timpani and answered by the orchestra. The piano then enters in a state of high excitement. A second, more lyrical Brahmsian theme emerges, followed by waltz-like measures not unlike the waltzes from Der Rosenkavalier. The work ends quietly, again on the timpani. It takes about 20 minutes to perform.
The piece is scored for piano solo and an orchestra of piccolo, 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 4 horns (2 in F, 2 in D), 2 trumpets, timpani, and strings.
Performers:
- Wiener Philharmoniker
- Christoph Eschenbach (Conductor)
https://wn.com/Richard_Strauss_Burleske_In_D_Minor_For_Piano_And_Orchestra
New videos and pieces everyday.
Like and subscribe to our channel: https://www.youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg
The Burleske in D minor is a composition for piano and orchestra written by Richard Strauss in 1885–86, when he was 21.
The work's original title was Scherzo in D minor, and it was written for Hans von Bülow, who had appointed Strauss assistant conductor of the Meiningen Court Orchestra. However, von Bülow considered it a "complicated piece of nonsense" and refused to learn it. He said the piano part was "Lisztian" and "unplayable", particularly for a pianist with a small handspan (Strauss says that von Bülow could barely reach an octave).
The piece starts with a theme introduced on timpani and answered by the orchestra. The piano then enters in a state of high excitement. A second, more lyrical Brahmsian theme emerges, followed by waltz-like measures not unlike the waltzes from Der Rosenkavalier. The work ends quietly, again on the timpani. It takes about 20 minutes to perform.
The piece is scored for piano solo and an orchestra of piccolo, 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 4 horns (2 in F, 2 in D), 2 trumpets, timpani, and strings.
Performers:
- Wiener Philharmoniker
- Christoph Eschenbach (Conductor)
- published: 29 Feb 2024
- views: 54
27:07
Strauss: Rosenkavalier-Suite ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Richard Strauss:
Rosenkavalier-Suite ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Fra...
Richard Strauss:
Rosenkavalier-Suite ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 17. Januar 2020 ∙
Website: https://www.hr-sinfonieorchester.de ∙
Facebook: https://www.facebook.com/hrsinfonieorchester
https://wn.com/Strauss_Rosenkavalier_Suite_∙_Hr_Sinfonieorchester_∙_Andrés_Orozco_Estrada
Richard Strauss:
Rosenkavalier-Suite ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 17. Januar 2020 ∙
Website: https://www.hr-sinfonieorchester.de ∙
Facebook: https://www.facebook.com/hrsinfonieorchester
- published: 03 Feb 2020
- views: 240824